Showing posts with label Wales. Show all posts
Showing posts with label Wales. Show all posts

Friday, 31 May 2019

God save the King!

Let's take a break from the medieval era for a moment, and move forward in time to a blustery summer's day in Nottingham on 22 August 1642. On that day Charles I unfurled his standard of war on the summit of the highest tower of Nottingham Castle, heralding the start of the English Civil War - or the War of the Three Kingdoms, or the British & Irish Civil Wars (delete or add to taste). 

Charles I

From the evidence given by eye-witnesses at the trial of the King in 1649, we learn the following particulars concerning the raising of his standard:—

"Robert Large, painter, of the town and county of Nottingham, deposed upon oath that in the summer of 1642 he painted, by command of my Lord Beaumont, the great standard of war that was placed upon the high tower of the Castle of Nottingham, and that he often saw the King thereabouts, at the same time that his standard was erected and displayed.”

"Samuel Lawson, of Nottingham, maltster, aged 30 years or thereabouts, sworn and examined, saith: That about August, 1642, he this deponent saw the King’s standard brought forth of Nottingham Castle, borne upon divers gentlemen’s shoulders, who (as the report was) were noblemen; and he saw the same carried by them on the Hill close adjoining the Castle, with a herald before it; and there the said standard was erected, with great shouting, acclamations, and sound of drums and trumpets; and that when the said standard was so erected there was a proclamation made; and that he, this deponent, saw the King present at the erecting thereof.”


We are told the standard was “a large red streamer, pennon shaped, cloven at the end, attached to a long red staff having about twenty supporters, and bore next the staff a St. George’s Cross, then an escutcheon of the Royal Arms, with a hand pointing to the crown above it, and the legend:

"GIVE UNTO CAESAR HIS DUE,"

together with two other crowns, each surmounted by a lion passant."

Three days later the royal standard was unfurled again, this time on an open field on the north side of the castle wall (now marked by a tablet). It took twenty men to carry the banner into the field, and they had to hold it upright after digging an insufficiently deep hole with daggers and knives. The royal herald made a mess of his speech, and then a strong gust of wind blew the standard down. Not a very auspicious start for the royalists.

Saturday, 2 November 2013

Henry the Prudent

We've had Richard the Brilliant, so here's Henry the Prudent. In case I get accused of favouritism, this post is a lot longer simply because Henry reigned for 24 years as opposed to Richard's 2, and there is a lot more to say. 

Personal, as some clever person once said, is not the same as important. That maxim can be applied to Henry VII, who since the mid-20th century has been a favourite target for romantic novellists and Ricardians. Jean Plaidy got the ball rolling by describing Henry as a 'Welsh monkey', and in recent times Facebook has not been Henry's friend: 'slug face', 'slant-eyed sex offender', 'dead dork', and 'cowardly treacherous murdering usurper' have been some of the milder insults thrown his way in 2013. One historian has even proposed that poor old Henry wasn't a 'Tudor' at all, but a bastard on both sides of his family.  

I won. Get over it

The level of hatred, directed at a man who died over five hundred years ago, is startling in its intensity. Ricardians might argue that Henry had it coming, considering his part in the blackening of his predecessor's reputation. I would argue that Henry's character defects are less important than what he did as king, even if at times inseparable (more of that later). So, leaving aside his personality and his share in the blame for Richard's deconstruction, let's have a look at his actions as a ruler. 

Henry's chief aims were to survive and hand his crown onto his son (the thought of handing it on a daughter probably brought him out in a cold sweat at nights). Even if he achieved nothing else, this would represent a triumph for a man with no real claim to the throne, won via force of arms and a hefty slice of luck. As it turned out, for Henry the wielding of power was not just some fortunate accident, but his 'vocation and destiny', as S.B. Chrimes had it.  

When he came to the throne, Henry was very much an unknown quantity, in hock to his eyeballs to the King of France and little more than a lucky adventurer. Apart from stamping on frequent rebellions at home, he had to gain a bit of respect abroad and convince foreign powers to take him seriously. This he did with a vengeance, throwing aside the old Plantagenet daydreams of conquering France, while at the same time diddling the French out of vast sums of money, marrying his children into the Spanish and Scottish royal families and concluding beneficial treaties with Europe's major powers. Mediation and diplomacy, backed up by limited military force if necessary, were Henry's weapons, and he handled them adroitly. By the end of his reign, the lucky usurper was on equal terms with Aragon and Castile, the Valois and the Hapsburgs - 'all of them learnt to forgo attempts to subvert him; all learnt to respect his strength; all preferred his goodwill to his hostility'.

At home, Henry was something of a conservative, chiefly concerned with security - unsurprising, considering the number of plots and rebellions he had to cope with. Like Richard, Henry was concerned with the maintenance of law and order, and did what he could to curb the corruption and incompetence of justices. He proclaimed that his laws and ordinances were made 'for the politic well peace, and good rule and for the profit, surety and restful living of his subjects...nothing is more joyous than to know his subjects live peaceably under his laws and increase in wealth and prosperity.' 

To back up these fine words, Henry decreed that every justice of the peace should be proclaimed four times a year, with a threat of fines and dismissal for every omission. Anyone who felt aggrieved at the behaviour of a justice might seek redress from the king - again, this sounds remarkably similar to the actions of Henry's predecessor. 

Francis Bacon heaped praise on Henry as a law-maker, and stated that he was the greatest royal legislator since Edward I. This was perhaps excessive, and there is no space here to recite all of Henry's 192 statutes, but a couple are worth mentioning. One cracked down hard on the abuse of women, stating that the abduction, defiling and marrying against their will of 'maids, widows and wives' was a felony. Another provided that poor people who could not afford the expense of going to law could - at the discretion of the chancellor - be represented by counsel free of charge. 

Now we come to the elephant in the chamber: Henry's avarice. The clichéd image of him as a grim sobersides who divided his time between persecuting Yorkists and triple-checking accounts is a difficult one to shake, and there is a bit of truth to it. Following the death of his wife and eldest son, Henry took a turn for the worse (impossible to avoid discussion of his character here) and indulged in increasingly dodgy and extortionate ways of keeping his subjects in line. After Henry's death, his chief financial whiz Edmund Dudley was arrested and coughed up a document listing no less eighty-four examples of individuals whom Henry had persecuted for their money. Below are a few examples, again taken from Chrimes:

'Item Peter Centurion a Genenois was evil intreated and paid much money and upon malicious ground in my consience.

Item one Haslewood was kept long in prison and paid a great sum of money upon a light ground.

Item a poor gentleman of Kent called Roger Appleton paid 100 marks upon an untrue matter.

Item Sir Nicholas Vaux and Sir Thomas Parr paid 9,000 marks upon a very light ground...'

What seems clear is that the ageing Henry was prepared to twist the law in order to get at his subjects' purse-strings, suggesting that his understandable desire for solvency and security was degenerating into base greed and paranoia. The increasing use of bonds and recognizances against his nobles, and his petty and spiteful treatment of Catherine of Aragon, also give the impression of a man degenerating mentally as well as physically. 

Unpleasant and oppressive as some of his measures were, Henry was not a tyrant. His financial chicanery pales next to the savagery of his son and the Catholic fanaticism of his grand-daughter Mary. He was remarkably merciful to his enemies, indulging in no wholesale executions and doing what he could to reconcile the surviving Yorkists: the exception being the ruthless elimination of Edward, Earl of Warwick, done to ensure that Henry could secure his son Arthur's marriage to Catherine of Aragon.   

To conclude my little essay, Henry VII came to England on a wing and a prayer and left it solvent, secure, free of internal warfare and a respected, if not major, power in Europe. Not bad for a dork. 

     

Wednesday, 29 May 2013

Summer Banquet Hop



Summer banquet hop copy
It's almost summer - though UK-based people like me could be forgiven for thinking otherwise - and the season for barbecues: or, if you were living in the Middle Ages and could afford it, a feast or banquet.

To get your taste buds quivering, over thirty historical fiction authors will be posting about the kind of food consumed during their chosen eras of writing. The hop is scheduled to run between the 3rd-7th of June and as usual lots of fantastic free prizes and giveaways will be on offer.

I will be offering a free paperback copy of Book One of my Wars of the Roses saga, The White Hawk: a bloody, violent and intensely political tale, and something for the lucky winner to get his or her teeth into... 

Thursday, 28 March 2013

Zara Kuchi, artist based in West Wales


As a change from relentlessly talking about myself and my work, I thought I would talk about a friend of mine instead. Her name is Zara Kuchi and she is a fabulous artist based in my neck of the woods in West Wales. Zara's work is influenced by her love of the Welsh landscape and her Slovakian heritage, particularly the recurring 'love birds' theme that is iconic in Slovakian folklore.

Below are a couple of samples of her work and a link to her website. I thoroughly recommend you check out her stuff!

Kuchi1

Kuchi2

And link to Zara's website:

Linky

Wednesday, 20 March 2013

The White Hawk on Goodreads

...and at last, I have figured out how to use widgets!

Three paperback copies of Book One of my Wars of the Roses saga, The White Hawk, are now up for grabs on Goodreads. Just click on the icon below to enter...

Goodreads Book Giveaway

The White Hawk by David Pilling

The White Hawk

by David Pilling

Giveaway ends April 16, 2013.

See the giveaway details at Goodreads.

Enter to win

Monday, 11 March 2013

George RR Martin, the Wars of the Roses and me...


I want to talk a little about what influenced me to write The White Hawk, which will be available as a free download on Amazon on Wednesday and Thursday this week. Since this is my blog, I shall!

By God, I love the power.

Besides my lifelong passion for medieval history, and the more recent desire to divert that passion into writing fiction (the other option being re-enactment, and standing in a muddy field in a suit of armour pretending to be the Duke of Somerset ain't my thing), the major inspiration was "A Song of Ice and Fire", George R.R.Martin's brilliant fantasy series.

GameofThrones                                 
Some free advertising

There are many good reasons to love this series, but for me it is the power politics and vicious intrigue between the various 'Houses' of Westeros that make the books so compelling. Frank Herbert pulled off a similar trick with the Great Houses of Atreides and Harkonnen in the first couple of Dune novels.

Westeros is essentially a late medieval environment, and the noble families of Stark and Lannister etc are fantasy versions of the medieval dynasties that fought like rabid dogs over the crowns of England and France in the Middle Ages. The bloodstained doings of the Plantagenets and Capets seem to be particular inspirations, no more so than the vicious round of aristocratic infighting remembered as The Wars of the Roses.

This era has always provided ideal breeding grounds for fiction, and I'm by no means the first author to have the bright idea of writing a series of novels set during the period. I did want to avoid writing about the various kings and nobles, or at least relegate them to secondary roles. The answer was to invent a fictional family.

Thus the Boltons were born. The obvious template for them was the Pastons, the real-life Norfolk family who left an invaluable record of their time in the form of the famous Paston Letters. This remarkable cache of letters provide us with a snapshot of minor English gentry and their trials and aspirations during the late fifteenth century.

Paston_doc4
One of the Paston letters

The Boltons are from a similar background to their real-life counterparts, though they have their home in Staffordshire rather than Norfolk. Like the Pastons, they have their sights set on climbing the social ladder.

They also have a number of problem sons. Richard, the eldest, is vengeful and unstable, and his brother James a corrupt and drunken cleric with a taste for local widows. Their mother, Dame Elizabeth, has her hands full keeping the family together. Dynastic civil wars are repeated on a local level, and the Boltons frequently find themselves having to defend their property and their lives. The Boltons often make terrible mistakes, fall in love with the wrong people, and fight on the wrong side during many of the epic set-piece battles fought to decide the future of England.

Book One of the planned three-part series climaxes with the Battle of Towton. This was a holocaust of a battle, perhaps the most dreadful slaughter ever committed on English soil, in which a significant percentage of adult males in England were massacred. 

Towton
The Battle of Towton. Nowhere near as much fun as it looks. 

This delightful affair was fought on a freezing hillside in Yorkshire in the middle of a snowstorm. To describe the sheer uncompromising horror and brutality of Towton was a major challenge, and hopefully I managed to convey it to some degree. The result of the battle has a major impact on the fortunes of the Boltons, as well as the kingdom in general, as readers can discover in Book Two...

Below is a link to the Kindle and paperback versions of the book, with the splendid cover art for the Kindle version done by my good friend and co-writer Martin Bolton:


Please feel free to email me with any questions or comments at Davidpilling56@hotmail.com

Friday, 1 March 2013

Sticking the feathers back on The White Hawk...

Book One of my intended trilogy set during The Wars of the Roses, The White Hawk, has just been revamped slightly (a new cover, designed and painted by my good friend and sometime co-writer Martin Bolton) and re-published via the folks at Draft2Digital: this means the book is now available as an ebook on Barnes & Noble and Kobo as well as on Amazon. I also hope to soon make it available on itunes.

See below for the new cover, a link to the book on Amazon, a plot description and a couple of nice reviews taken from Goodreads!



Links:
Amazon
Barnes & Noble
Kobo

Reviews:
"The White Hawk takes place during fifteenth century in England and explores two rivals-Lancaster and York-who is at civil war with each other and is tearing the country apart. Henry VI is king and is unable to prevent these tragic events. He has no stomach for politics and is too weak to fight. This story also, follows the Bolton's, a family who is caught up in this civil war and struggles to survive. They are loyal to the house of Lancaster and as the story begins with a battle scene-lives are lost, families are torn apart and revenge for the death of love ones takes hold and bad decisions are made and more lives are destroyed. 

One of the first things about, “The White Hawk” that I was impressed with was the opening scene-a battle-very dramatic and detailed. Pilling gives you a clear picture of war, revenge and continuous political instability throughout this period. As the plot unfolds and his characters come to life-I was enthralled in such a way- I found myself holding my breath and clinching my teeth anticipating what is going to happen to next. 

Pilling gives the reader a tremendous amount of history and he depicts medieval history brilliantly. One can tell he does his research and takes his findings seriously. I highly recommend this absorbing book to anyone who enjoys this period of time and who is looking for well-written historical fiction. 

- Stephanie Hopkins (link to my interview with Stephanie on her blog: Interview)

"Mr. Pilling approached me a while back asking if he could write a guest post to promote his book, The White Hawk Book One: Revenge. What he told me of the story piqued my interest as a former history major and general history nerd, and so I accepted (the post can be viewed on my blog at astheplotthickens.blogspot.com). He also offered to send me a free copy of the ebook so I could read and review it. Of course I'm never going to turn down a free book, especially when the story catches my eye and the author is such a nice guy.

It took me awhile to actually get around to reading the book, thanks to my Kindle deciding to go missing, but when I was finally able to start reading, I got sucked right in. The White Hawk is set during the Wars of the Roses, and tells the story of the feud between the houses of Lancaster and York. Though it's not a period in history I'm overly familiar with, I could tell right away that Mr. Pilling did his research. Over the course of my reading, I went back and did some research of my own on certain points that intrigued me, and as a former history major, I must say that it's some damn good historical fiction.

The characters are very well written and have believable motivations, and I found myself falling in love with the Boltons right away, particularly Mary. I was reminded of George R. R. Martin's A Song of Ice and Fire, not so much by the content of the story or the writing, but because it tells the story from multiple points of view from each faction, a technique that I, personally, quite like. A lot of characters in one story can put off some readers (and that's one reason it takes me so long to get through A Song of Ice and Fire), but Mr. Pilling does a wonderful job of pulling everything together. I was never once confused by who was who or which house fought for which side. 

Some people tell me that they don't like historical fiction because it seems so dry, but this definitely isn't the case with The White Hawk. The story moves very quickly and sucked me right in, and it was never dry at all. Despite the huge range, both in time and geography, no part of the story seems disconnected from the rest.

Overall, I highly recommend this book to anybody that has even a passing enjoyment for historical fiction, a story with plenty of action and a bit of political intrigue, and well-written characters. Fair warning, though--the ending will definitely make you crave part two! Pilling gives the reader a tremendous amount of history and he depicts medieval history brilliantly. One can tell he does his research and takes his findings seriously. I highly recommend this absorbing book to anyone who enjoys this period of time and who is looking for well-written historical fiction." 

- Jennifer White